2019 Special Jury Award of Distinction recipient, maxine bailey, delivers a powerful speech calling for greater equity and inclusion in Canada's screen industry.
14 media professionals selected for WIFT-T's biennial Media Leadership Program, supported by Bell Media. The 6-month program takes place at Schulich Executive Education Centre, York University.
Hot Docs production funds provide Canadian and international documentary projects with development, production and completion grants, as well as valuable professional development opportunities.
The Cambrian College alumna kicked off her 3-week mentorship this October, where she will be immersed in the day-to-day operations of a leading VFX house.
Lessons Injustice (Karen Chapman), Mustard Seed (Lina Roessler), and Turning Tables (Chrisann Hessing) take home top prizes at the 10th annual WIFT-T Showcase.
Marni Van Dyk’s beautiful and subtle script is vividly brought to life by producer Cera Ziegler and director Thyrone Tommy, with nuanced performances by Thomas Olijade, Humberly Gonzalez and Allegra Fulton.
Rising documentary director, Chrisann Hessing's Turning Tables is a vibrant and energetic documentary that chronicles the creativity of Joshua DePerry (aka Classic Roots) as he combines Indigenous sounds and dance with modern techno and house music.
Multi-hyphenate content creator and actress, Rachel Cairns, brings her hilarious and refreshing web series, Street Series, to our 10th annual WIFT-T Showcase.
“I put in a life of music that was lost,” laments Paul Wager in Lost Time. Directed by Leo Pfeifer with cinematography by Morgana McKenzie, Lost Time is a reflective short documentary about a drummer reconciling with loss.
In Alicia K. Harris' powerful and honest experimental film, Maybe If It Were A Nice Room, a woman recounts a traumatic incident through an exploration of rooms.
WIFT-T is pleased to announce the appointment of Karen Bruce as Executive Director, effective April 4, 2019. Karen replaces Heather Webb who resigned at the end of December, 2018.
WIFT-T member, Janal Bechthold shares her thoughts on last year's Screen Composers' gender report and offers suggestions on building inclusion in the industry.
Filmmaker Reem Morsi on how winning both the Audience Choice at Best Screenplay awards at our 9th annual WIFT-T Showcase "made a big difference" for her and her team.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce award-winning journalist and Global News anchor, Farah Nasser, as the host of its 31st annual Crystal Awards Gala.
WIFT-T and the Foundation for WIFT-T seek a dynamic and experienced leader for role of Executive Director.
Deadline to apply: Monday, November 19, 2018
From October 10-12, participants will learn from top industry professionals how to best package their interactive digital media projects to attract funding support and build their audiences.
Viki will begin her three-week mentorship at Deluxe Toronto in November where she will meet with staff in all departments and learn about the different roles in the post-production pipeline.
The Meridian Artists Agency Mentorship offers a 3-week immersive experience, introducing an emerging media professional to the day-to-day operations of a talent agency.
Jenna is the 4th recipient of the coveted DGC Ontario Director Mentorship; following talented filmmakers, Kirsten Carthew, Nimisha Mukerji and Nadine Valcin.
BANFF Diversity of Voices Initiative fellow and WIFT-T member, Laura Nordin, offers some valuable tips to make the best of your future BANFF World Media Festival experience.
Member, Kirsten Carthew, shares her experience as a BANFF Diversity of Voices Initiative fellow, key insights from buyers, and her always reliable "how to get a meeting" hack.
Women in Film & Television – Toronto (WIFT-T) is excited to announce the six selected teams for its inaugural Scripted Digital Series Incubator (SDSI).
6 months and 40 matches later, the first round of WIFT Connect (our 1-1 member mentoring program) wraps with an inspirational evening with Denise Donlon.
A year of major milestones, significant growth, and the ushering of a 'new normal'. It's been quite the year for women in film, and the work has just begun.
We chat with award-winning director, Kirsten Carthew, about meeting her faves, the importance of folding in market strategies in the development process, and some new projects on the horizon.
"I wasn’t going out on a lot of auditions so I decided, why not make work for myself!" We chat with actress and content creator, Rakhee Morzaria, about her hilarious web series, Note to Self (CBC Comedy).
"Friendship means holding each other in the balance that is life." —Jessica Hinkson (co-lead, Jessica Jessica; WIFT-T Showcase 2018 Official Selection)
Daring, anarchic, and darkly funny, WIFT-T Showcase 2018 Official Selection, Martin’s Hagge (directed by Penny Eizenga and written by Gordon Pinsent) is a true original.
This unique Schulich School of Business certificate program, geared to working media professionals, provides top-level business school learning combined with industry insights and best practices.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce Madison Falle as the recipient of the 2017 CBC Business of Broadcasting Mentorship.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce Kirsten Carthew as the recipient of the 2017 WIFT-T DGC Ontario Director Mentorship.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce Ava Torres as the recipient of the 2017 WIFT-T Meridian Artists Agency Mentorship.
One of the most distinctive voices of the independent film movement of the last twenty years, Mary Harron made her debut as a feature-film writer/director in 1996 with I Shot Andy Warhol.
Since 1988, WIFT-T has honoured over 130 industry trailblazers for their excellence in creativity, innovation, and leadership in Canada’s screen-based media industry (film, television and digital media).
Women in Film & Television–Toronto (WIFT-T) is pleased to announce the selected participants of the OMDC Interactive Digital Media Fund Futures Accelerator program.
Longing to show women in complex, dynamic situations? Aching to cast names like Cronenberg? Award-winning actor / producer Ashleigh Rains shares her experience.
Tomorrow’s Shadows (directed & written by Geordie Sabbagh and produced by WIFT-T member Ashleigh Rains) is a poignant and subtle meditation on predetermination, consumerism, and technology.
This touching film explores some of the challenges we face in mourning the death of a loved one where there are things left unsaid; and the dichotomy between holding on and moving on.
Actress and filmmaker Hannah Anderson chats with Sydney Van Delft about filmmaking as catharsis, the universality of grief, and how she evoked the right tone using lighting and music.
Award-winning editor, Maureen Grant shares her journey in the making of That’s My DJ, the importance of female and queer perspectives in the editing process, and the narrative freedom of web series.
Portfolio Entertainment co-founder and Executive Producer, Lisa Olfman on the creation of Freaktown and the secret to her long-time partnership with her friend and colleague, Joy Rosen.
14 media professionals selected for WIFT-T's biennial Media Leadership Program, supported by Bell Media. The 6-month program takes place at Schulich Executive Education Centre, York University.
Hot Docs production funds provide Canadian and international documentary projects with development, production and completion grants, as well as valuable professional development opportunities.
The Cambrian College alumna kicked off her 3-week mentorship this October, where she will be immersed in the day-to-day operations of a leading VFX house.
Lessons Injustice (Karen Chapman), Mustard Seed (Lina Roessler), and Turning Tables (Chrisann Hessing) take home top prizes at the 10th annual WIFT-T Showcase.
WIFT-T is pleased to announce the appointment of Karen Bruce as Executive Director, effective April 4, 2019. Karen replaces Heather Webb who resigned at the end of December, 2018.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce award-winning journalist and Global News anchor, Farah Nasser, as the host of its 31st annual Crystal Awards Gala.
From October 10-12, participants will learn from top industry professionals how to best package their interactive digital media projects to attract funding support and build their audiences.
Viki will begin her three-week mentorship at Deluxe Toronto in November where she will meet with staff in all departments and learn about the different roles in the post-production pipeline.
The Meridian Artists Agency Mentorship offers a 3-week immersive experience, introducing an emerging media professional to the day-to-day operations of a talent agency.
Jenna is the 4th recipient of the coveted DGC Ontario Director Mentorship; following talented filmmakers, Kirsten Carthew, Nimisha Mukerji and Nadine Valcin.
Women in Film & Television – Toronto (WIFT-T) is excited to announce the six selected teams for its inaugural Scripted Digital Series Incubator (SDSI).
This unique Schulich School of Business certificate program, geared to working media professionals, provides top-level business school learning combined with industry insights and best practices.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce Madison Falle as the recipient of the 2017 CBC Business of Broadcasting Mentorship.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce Kirsten Carthew as the recipient of the 2017 WIFT-T DGC Ontario Director Mentorship.
Women in Film & Television – Toronto (WIFT-T) is pleased to announce Ava Torres as the recipient of the 2017 WIFT-T Meridian Artists Agency Mentorship.
Since 1988, WIFT-T has honoured over 130 industry trailblazers for their excellence in creativity, innovation, and leadership in Canada’s screen-based media industry (film, television and digital media).
Women in Film & Television–Toronto (WIFT-T) is pleased to announce the selected participants of the OMDC Interactive Digital Media Fund Futures Accelerator program.
WIFT-T member, Janal Bechthold shares her thoughts on last year's Screen Composers' gender report and offers suggestions on building inclusion in the industry.
Member, Kirsten Carthew, shares her experience as a BANFF Diversity of Voices Initiative fellow, key insights from buyers, and her always reliable "how to get a meeting" hack.
Tomorrow’s Shadows (directed & written by Geordie Sabbagh and produced by WIFT-T member Ashleigh Rains) is a poignant and subtle meditation on predetermination, consumerism, and technology.
This touching film explores some of the challenges we face in mourning the death of a loved one where there are things left unsaid; and the dichotomy between holding on and moving on.
Award-winning editor, Maureen Grant shares her journey in the making of That’s My DJ, the importance of female and queer perspectives in the editing process, and the narrative freedom of web series.
2019 Special Jury Award of Distinction recipient, maxine bailey, delivers a powerful speech calling for greater equity and inclusion in Canada's screen industry.
Marni Van Dyk’s beautiful and subtle script is vividly brought to life by producer Cera Ziegler and director Thyrone Tommy, with nuanced performances by Thomas Olijade, Humberly Gonzalez and Allegra Fulton.
Rising documentary director, Chrisann Hessing's Turning Tables is a vibrant and energetic documentary that chronicles the creativity of Joshua DePerry (aka Classic Roots) as he combines Indigenous sounds and dance with modern techno and house music.
Multi-hyphenate content creator and actress, Rachel Cairns, brings her hilarious and refreshing web series, Street Series, to our 10th annual WIFT-T Showcase.
“I put in a life of music that was lost,” laments Paul Wager in Lost Time. Directed by Leo Pfeifer with cinematography by Morgana McKenzie, Lost Time is a reflective short documentary about a drummer reconciling with loss.
In Alicia K. Harris' powerful and honest experimental film, Maybe If It Were A Nice Room, a woman recounts a traumatic incident through an exploration of rooms.
Filmmaker Reem Morsi on how winning both the Audience Choice at Best Screenplay awards at our 9th annual WIFT-T Showcase "made a big difference" for her and her team.
6 months and 40 matches later, the first round of WIFT Connect (our 1-1 member mentoring program) wraps with an inspirational evening with Denise Donlon.
A year of major milestones, significant growth, and the ushering of a 'new normal'. It's been quite the year for women in film, and the work has just begun.
We chat with award-winning director, Kirsten Carthew, about meeting her faves, the importance of folding in market strategies in the development process, and some new projects on the horizon.
"I wasn’t going out on a lot of auditions so I decided, why not make work for myself!" We chat with actress and content creator, Rakhee Morzaria, about her hilarious web series, Note to Self (CBC Comedy).
"Friendship means holding each other in the balance that is life." —Jessica Hinkson (co-lead, Jessica Jessica; WIFT-T Showcase 2018 Official Selection)
Daring, anarchic, and darkly funny, WIFT-T Showcase 2018 Official Selection, Martin’s Hagge (directed by Penny Eizenga and written by Gordon Pinsent) is a true original.
One of the most distinctive voices of the independent film movement of the last twenty years, Mary Harron made her debut as a feature-film writer/director in 1996 with I Shot Andy Warhol.
Portfolio Entertainment co-founder and Executive Producer, Lisa Olfman on the creation of Freaktown and the secret to her long-time partnership with her friend and colleague, Joy Rosen.
BANFF Diversity of Voices Initiative fellow and WIFT-T member, Laura Nordin, offers some valuable tips to make the best of your future BANFF World Media Festival experience.
Longing to show women in complex, dynamic situations? Aching to cast names like Cronenberg? Award-winning actor / producer Ashleigh Rains shares her experience.
Actress and filmmaker Hannah Anderson chats with Sydney Van Delft about filmmaking as catharsis, the universality of grief, and how she evoked the right tone using lighting and music.